Go back to hell! Insert Credit celebrates the release of Demonschool by analyzing trends in indie releases, the best grids in games, and of course, woke.
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SHOW NOTES:
- Tooth Protectors
- Number Munchers
- Pac-Man
- Prince
- “Dearly beloved, we are gathered here today…”
- Demonschool
- Preacher
- Garth Ennis
- Elder Scrolls series
- Demonology
- Succubus
- Hollow Knight: Silksong
1: What’s the difference between setting a video game in high school and setting a video game in college? (03:33)
2: Do indie developers find success by making what they want to play, or by following the market? (09:18)
3: What are the best grids in video games? (14:49)
- Legend of Zelda series
- Tomb Raider series
- Tetris
- Puyo Puyo
- Frame Gride
- Animal Crossing series
- Sokoban
- Portal
- Alundra
- Resident Evil 4
- Save Room
- Solatorobo: Red the Hunter
- Unpacking
- The Grid
- California Extreme
- Bioshock
- Pipe Dream
4: When making a video game, how woke should it be? (20:39)
5: Tom Arrow asks, how did the rise and fall of Blockbuster video impact videogames? (27:39)
- Blockbuster
- Walmart
- Working Designs
- Sonic the Hedgehog 2
- Superman 64
- GameFly
- Flex Three Subscription PC
- Counter-Strike series
- Valorant
- Minecraft
- Ray tracing
- Path tracing
6: How much does the average video game player want to be challenged? (34:13)
- Fortnite
- Gacha games
- PUBG Mobile
- VGHF: “We've completed our digitized collection of E3 directories from 1995–2006”
- Wordle
- CSI: Crime Scene Investigation
- Law & Order
- Hades
7: What movie is Demonschool of video games? (40:02)
8: What’s the Empire Records (1995) of video games? (42:01)
- Empire Records (1995)
- Clerks (1994)
- That Thing You Do! (1996)
- insert credit
- The Gin Blossoms - Til I Hear It From You
LIGHTNING ROUND: Trashtalkal RPG (43:21)
Recommendations and Outro (48:20):
- Brandon: Demonschool
- Ash: Demonschool, consider running for office
- Frank: Demonschool, Pluribus
- Jaffe: Call and yell at your representatives
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Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn. Original Music by Kurt Feldman.